"As happy prologues to the swelling act."
Unwind before the play at The Greenshow, a free thirty-minute frolic of song, dance, laughter, Elizabeth sweets, and just plain fun. Find a place to relax on the lawn or mingle in the courtyard as you prepare for that evening’s mainstage production. The Greenshow offers three different shows: Irish, English, and Italian.
The Greenshow begins each Monday to Saturday at 7:10 p.m. from June 25 to September 5 on the green and the courtyard surrounding the Adams Shakespearean Theatre.
Sponsored by Wells Fargo, The Marriner S. Eccles Foundation, and The Wheeler Foundation.
Props, costumes, scenery, and lights are all a part of these tours backstage at the Festival.
Peek behind the scenery and into the Festival’s various production areas to see how all the enchantment comes together. Tours are at 10:15 a.m. Tuesdays, Wednesdays, Fridays, and Saturdays from July 3 to September 5; and at 11 a.m. Thursdays and Saturdays from September 24 to October 31. Tickets are regularly $8. Group and school rates are available.
Participants must negotiate stairs.
Witness the fascinating and well-choreographed scene change process between a matinee and an evening show, and ask questions as it happens.
One of the most magical (and difficult) aspects of repertory theatre is the twice-a-day change-over. Lighting, scenery, props, costume, and sound technicians must hurry to change everything from the matinee show to the evening show. It is a fascinating and well-choreographed process. Now, you can witness the scene change, and ask questions as it is happening!
Repertory Magic is every Monday and Thursday, July 2–September 3; and every Friday from September 25 to October 30, following the Randall Theatre matinee.
Tickets are regularly $8. Group and school rates are available.
You won't want to miss these invigorating morning discussions under the trees.
If you have ever wanted to share your views about Festival plays, their interpretation, and subtle nuances (or to hear the views of others), the Literary Seminar is for you. Theatre scholars (with play directors and actors joining in at times) lead the discussions, allowing audience members to engage in a lively give-and-take where everyone learns.
The seminars are conducted each Tuesday through Sunday from June 26 to September 6. The previous day's play in the Adams Theatre is discussed at 9 a.m., and the Randall Theatre play at 10 a.m., both in the Seminar Grove south of the Adams Shakespearean Theatre. From September 6 to November 1, the seminars are at 9 a.m. only, in the Randall L. Jones Theatre.
Funded in part by Utah Humanities and sponsored by Larry and Tina Howard.
Props, costumes, and actors: you can get to know all of them better at these free daily seminars.
Explore where all those props come from and how they are made. They begin at 11 a.m. each Monday and Thursday from June 29 to September 3 and 10 a.m. each Wednesday and Friday from September 18 to October 30 in the Randall L. Jones Theatre.
Sponsored by The S.J. & Jessie E. Quinney Foundation and The Ray, Quinney and Nebeker Foundation.
See our amazing costumes up close and learn from costume designers and technicians how the costumes are designed, constructed, and cared for. Costume Seminars are at 11 a.m. each Tuesday and Friday from June 30 to September 4 in the Randall L. Jones Theatre.
Sponsored by The Guild of the Utah Shakespeare Festival.
Get to know some of the actors at the Festival and ask them questions about their careers and roles. These seminars are at 11 a.m. each Wednesday and Saturday from June 27 to September 5 in the Seminar Grove south of the Adams Theatre and at 10 a.m. each Thursday and Saturday from September 19 to October 31 in the Randall L. Jones Theatre.
Sponsored by The Balcony Bards.
Prepare for the play with these short and informative orientations conducted by theatre experts.
Heighten your experience by learning about the play before you see it, as well as asking questions about the Festival and Cedar City.
Orientations begin at 1:15 p.m. before matinees and at 6:45 p.m. before evening performances in the Auditorium Theatre from June 25 to September 5. Beginning on September 11 and running through October 31, they are at 1:15 p.m. and 7 p.m. in the Auditorium Theatre.
Sponsored by The Ashton Family Foundation.
One Night Only: Broadway at the Festival! August 7, 2015 at 11:30 p.m. in the Auditorium Theatre.
Bardway, Baby! is a late-night concert event featuring classic Broadway show tunes. Performed by Festival actors, will be presented August 7, 2015 at approximately 11:30 p.m. in the Auditorium Theatre.
The fundraising concert will support the newly formed artistic initiative fund which was created to promote the Festival’s growth in artistic excellence.
Tickets are $25 for reserved seating and are available now at the Festival ticket office or by calling 1-800-PLAYTIX.
Presented by the Guild of the Utah Shakespeare Festival, Curtain Call Luncheons feature lunch and questions-and-answers with Festival actors and artists. They are July 7, 17, 21, and 31; August 4, 6, 11, 18, 20, and 25; and September 1 at 12 noon in the SUU Alumni House. Tickets are $17.50 in advance and $20 at the door.
The Utah Shakespeare Festival has embarked on an exciting new initiative to produce the entire canon of Shakespeare’s thirty-eight plays between 2012 and 2023. During these years, you may have more than one opportunity to see such plays as The Taming of the Shrew and King Lear, but productions of plays such as this year’s Henry IV Part Two and The Two Gentlemen of Verona will definitely be more rare. So start planning now; you don’t want to miss a single experience.
As part of the Complete-the-Canon Project, the Festival is producing all ten of Shakespeare’s history plays in chronological order, beginning in 2013 with King John and Richard II and in 2014 with Henry IV Part One, then continuing this year with Henry IV Part Two, and in the future with Henry V, Henry VI Part One, Henry VI Part Two, Henry VI Part Three, Richard III, and Henry VIII. One of the goals of the History Cycle is to give a cohesiveness to these plays that will be engaging and dramatic.