A quiet luncheon turns into a corset-busting masquerade when two college chums go to great lengths to woo a pair of charming young ladies, including persuading their wacky friend to pose as an aunt from Brazil—where the nuts come from.
Director — David Ivers*
Scenic Designer — Jack Magaw
Costume Designer — Bill Black
Lighting Designer — Kirk Bookman
Sound Designer — Barry G. Funderburg
Dramaturg — Isabel Smith-Bernstein
Voice and Text Coach — Michael J Barnes
Fight Director — Christopher DuVal
Stage Manager — Terence Orleans Alexander*, Tanya J. Searle*
Stephen Spettigue — John Pribyl*
Colonel Sir Francis Chesney — John G. Preston*
Jack Chesney — Brendan Marshall-Rashid*
Charley Wykeham — Tasso Feldman*
Lord Fancourt Babberley — Michael Doherty*
Brassett — Andy Baldeschwiler
Donna Lucia d’ Alvadorez — Christine Jugueta*
Amy Spettigue — Kelly Rogers
Kitty Verdun — Betsy Mugavero*
Ela Delahay — Allie Babich
Stephen Spettigue — Andy Baldeschwiler; Colonel Sir Francis Chesney — Andy Baldeschwiler; Jack Chesney — Luke S Johnson†; Charley Wykeham — Alexander Greig†; Lord Fancourt Babberley — Robby Wilson†; Brassett — Luke S Johnson†; Donna Lucia d' Alvadorez — Halie Merrill†; Amy Spettigue — Jordyn Cardwell†; Kitty Verdun — Halie Merrill†; Ela Delahay — Jordyn Cardwell†
Understudies never substitute for listed players unless an announcement is made prior to the performance.
*Member of Actors' Equity Association, the union of professional actors and stage managers in the United States.
†Appearing courtesy of the Southern Utah University Fellowship Program.
The director is a member of the Stage Directors and Choreographers Society, a national theatrical labor union.
The scenic and sound designers are represented by the United Scenic Artists, Local USA 829 of the IATSE.
The videotaping or other video or audio recording of this production is strictly prohibited.
Charley's Aunt is presented by special arrangement with Samuel French, Inc.
June 25 to October 31, 2015
Randall L. Jones Theatre
Charley’s Aunt is suitable for all audiences.