"The Most Unkindest Cut of All" — Shakespeare's Use of Multiple Degrees of Adjective and Adverb Comparison
Norma J. Engberg
Memoria Artium Magicarum in The Tempest
Todd M. Lidh
Claribel, Tunis and Greenway's Propero's Books
William Babula
Is C.S. Lewis Still Relevant to Literary Studies Today?
Thomas L. Martin
C.S. Lewis's Lost Othello Manuscript and the Re-Presentation of Race
J. Duke Pesta
Rare Commentary from C.S. Lewis on Shakespeare: The Recently-Discovered Othello Essays
Michael W. Price
Light and Delight: The Return of the Repressed in Othello, Titus Andronicus, and The Tempest
Scott Oldenburg
Alas, Poor Hamlet: Film Popularizers and the Prince of Denmark
Ace G. Pilkington
The Folk Tradition of Joan of Arc's Spirituality
Ann Chamberlin
The Compleat Work of Henry VI (Abridged): A Comparison of Single-Play Adaptions at the Stratford, Ontario and Utah Shakespeare Festivals
Richard G. Scharine
The Two Gentleman of Verona: Shakespeare's High-Gothic Typological Re-Telling of Genesis 4?
Tom Flanigan
"To Print Them in Memory": Biblicism and Its Effects on Elizabethan Plays
Curtis Bostick
The New World Order in 4.3 of Macbeth
Gary Harrington
Comparatively Speaking: Notions of Love in English Literature
Tera Burgess
Virtue vs. Vengeance: Examining the "Quality of Mercy" and Human Relationships in The Tempest, The Merchant of Venice, and Measure for Measure
Kristen Proehl