2017 Season Sponsored by The George S. and Dolores Doré Eccles Foundation

2018 Plays

Henry VI Part One

June 29 – September 6, 2018

Othello

June 28 – October 13, 2018

The Merry Wives of Windsor

June 28 – September 8, 2018

The Foreigner

June 29 – October 13, 2018

Big River

June 30 – September 1, 2018

The Merchant of Venice

June 30 – September 7, 2018

An Iliad

July 12–October 9

The Liar

September 14 – October 13, 2018

The Greenshow

June 28 – September 8, 2018

Upcoming Events
News

Festival Cancels 2018 Production of Pearl’s in the House

The Utah Shakespeare Festival has announced that it has cancelled the 2018 production of Pearl’s in the House.

Citing culturally insensitive communications issued by the guest director/creator of Pearl’s in the House regarding casting, the Utah Shakespeare Festival issued the following . . .


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Keeping Up with the Lancasters

The last few years have seen a rise in British family dramas. With shows like The Crown and Downton Abbey, it's easy to see why complicated families make such entertaining stories. But this isn't a new trend— no, it goes all the way back to Shakespeare!

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Why Shakespeare Rewrote History

The lineup of plays this season at the Utah Shakespeare Festival is looking to be one of the most exciting yet— especially with the continuation of the History Cycle. Henry VI Part One is a play you may not get the chance to see elsewhere. But with this play comes one important question— why is it so different from what really happened?

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The Merchant of Cedar City

Since the very first year of the Festival, audiences have fallen in love over and over again with Shakespeare’s The Merchant of Venice. It’s an appealing love story wrapped around a complex, fascinating study of religious and social tensions. And because of its popularity, the Festival has produced it a number of times! From fun and farcical to deep and complex, this play has evolved in its Cedar City productions over the years. . . .

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Bookends of Villiany

Shakespeare's villains are some of the most complicated, realistic characters in theatre. Truthfully, they can sometimes be more compelling than their heroic counterparts. And nowhere is that more true than this season at the Festival. This year, two of Shakespeare's most infamous villains take the stage— the bitter Jewish moneylender Shylock, and the jealous, manipulative ensign Iago. . . .


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