Overview

Take a high-rolling gambler and pair him with a puritanical missionary. Then throw in a showgirl dreaming of the straight-and-narrow and a craps game manager who is anything but straight or narrow. Mix it up with the brassy music of Frank Loesser (including “A Bushel and a Peck” and “Luck Be a Lady”), and you have what many consider the perfect musical comedy.

Guys and Dolls is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. www.MTIShows.com

CONTENT ADVISORY
A Musical Fable of Broadway


ARTISTIC STAFF

Director — Peter Rothstein
Choreographer — Christine Rowan
Music Director — Gregg Coffin
Scenic Designer — Jason Lajka
Costume Designer — K. L. Alberts
Lighting Designer — Kirk Bookman
Sound Designer — Barry G. Funderburg
Dramaturg — Lezlie C. Cross
Voice and Text Coach — Gale Childs Daly
Movement and Fight Choreographer — Robert Westley
Stage Manager — Tanya J. Searle*

Scene: New York City, 1950
There will be one intermission.

CAST

Nicely-Nicely Johnson — Redge Palmer*
Benny Southstreet — Josh Durfey
Rusty Charlie — Brandon Burk
Sarah Brown — Alexandra Zorn
Arvide Abernathy — Jonathan Gillard Daly*
Agatha — Kaitlyn Katter
Calvin — Justin Goei
Martha — Carly Ann Salway
Harry the Horse — Blake Price
Lt. Brannigan — Richie Call
Nathan Detroit — Quinn Mattfeld*
Miss Adelaide — Melinda Parrett*
Sky Masterson — Brian Vaughn*
Joey Biltmore — Michael A. Harding
The Hot Box Girls — Dana Cullinane, Caroline Kane, Madison Kisst, Morgan Anita Wood
Mimi — Dana Cullinane
General Matilda B. Cartwright — Leslie Brott*
Hotbox M. C. — Aaron Arroyo
Hotbox Waiter — Max Falls
Big Jule — James Newcomb*
Ensemble — Aaron Arroyo, Leslie Brott*, Richie Call, Connor Cook, Dana Cullinane, Jonathan Gillard Daly*, Max Falls, Justin Goei, Michael A. Harding, Keaton Delmar Johns, Caroline Kane, Kaitlyn Katter, Madison Kisst, James Newcomb*, Blake Price, Carly Ann Salway†, Dylan Campbell Troost, J. T. Wood, Morgan Anita Wood

UNDERSTUDIES               

Nicely-Nicely Johnson—Aaron Arroyo; Benny Southstreet/Rusty Charlie—Justin Goei; Sarah Brown—Caroline Kane; Arvide Abernathy/Big Jule—Michael A. Harding; Harry the Horse/Lt. Brannigan—Max Falls; Nathan Detroit—Richie Call; Miss Adelaide—Dana Cullinane; Sky Masterson—Blake Price; Joey Biltmore—Dylan Campbell Troost; General Cartwright—Melissa Graves;  
Understudies never substitute for listed players unless an announcement is made prior to the performance.

*Member of Actors' Equity Association, the union of professional actors and stage managers in the United States.

†Appearing courtesy of the Southern Utah University Fellowship Program.                                                                                                                                              

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The director and fight choreographer are members of the Stage Directors and Choreographers Society, a national theatrical labor union.

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The scenic, lighting, and sound designers are represented by the United Scenic Artists, Local USA 829 of the IATSE.

Music recorded at Tanner Monagle Studio, Milwaukee, Wisconsin.

Videotaping or other video or audio recording of this production is strictly prohibited.

Guys and Dolls is presented through special arrangement with Music Theatre International (MTI). All authorized performance materials are also supplied by MTI. Tel: 212-541-4684. Fax: 212-397-4684. www.MTIShows.com

@utahshakespeare | #guys&dollsut


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Top photo: a scene from Guys and Dolls, 2017.

Play Details

Dates
July 3 – September 1, 2017

Venue
Randall L. Jones Theatre

Author
A Musical Fable of Broadway
Based on a Story and Characters of Damon Runyon
Music and Lyrics by Frank Loesser
Book by Jo Swerling and Abe Burrows

Director
Peter Rothstein

Learn More
Study Guide
Synopsis
Characters

Content Advisory
Set in 1930s New York City, Guys and Dolls tells the stories of “Guys,” many of them gamblers, and “Dolls,” many of them chorus girls. The stories include gambling, some drinking, and the relationships between the “Guys” and the “Dolls.” However, it is generally very tame and is suitable for all audiences.