In our interview with Fred Adams, Festival founder and director of this year’s production of The Taming of the Shrew, he told us that he believes this play is a love story based on two people finding their perfect match. A month later, we chatted with the actors playing Petruchio (Brian Vaughn) and Kate (Melinda Pfundstein) to learn their thoughts.
The Festival says a fond farewell to the historic Adams Shakespearean Theatre at the end of this summer. We have planned several activities throughout the season. Patrons can come and experience all the magic the Adams has to offer as well as say goodbye.
Follow the links to watch Literary Seminars live on YouTube.
One of the most beloved musicals of all time, South Pacific is a sweeping story of love threatened by the dangers of prejudice and war.
The Utah Shakespeare Festival will announce its 2016 season July 10 and begin selling tickets to the new season on August 1, but playgoers can purchase a “Festival Flex Pass” now to guarantee the best seats and save money. The new flex passes will ensure early purchase of seats to all the plays in the Randall L. Jones Theatre, as well as those in the new Engelstad Shakespeare Theatre and the new Eileen and Allen Anes Studio Theatre.
John Ahlin is back giving us an insiders glimpse into the life of an actor. Today's entry focuses on rehearsals and how plays are put together. "Rehearsal’s first day is festive and nerve-wracking. The whole cast will sit around a big table and, after seeing how the play will look from a Vision of Designers, we read the play, aloud."
Tony Amendola is back with the Festival, playing King Lear. He was last here as Shylock in The Merchant of Venice in 2010. Kelly Rogers is enjoying her first season here and plays Cordelia. She’s finding the Festival to be “like a Shakespeare fairyland." And is excited to be working with so many talented actors. Here are their thoughts on their roles in this many-layered play.
All past employees of the Utah Shakespeare Festival are invited for a special reunion weekend to celebrate the closing of the Adams Shakespearean Theatre.
Amadeus, winner of a Tony-award for best play and the academy award for best film, is a provocative, intriguing, beautifully breathtaking work by Peter Shaffer. Overshadowed by the young Wolfgang Amadeus Mozart, court composer Antonio Salieri struggles to escape his own obscurity. In his quest to be remembered, he lies and cheats. But against the background of the world’s greatest music, did he also murder?
The Utah Shakespeare Festival will be celebrating our Armed Forces on Saturday, July 4 by offering four free tickets for military personnel and their families to the opening performance of South Pacific at 2 p.m. The Festival appreciates the sacrifices of the men and women who serve and wants to recognize their dedication and commitment to this country.
Our actor playing Falstaff this year, John Ahlin, will be a guest writer for us. Over the summer he'll be sharing some of the insights and discoveries on being with the Festival and putting on the shows, from his own personal point of view.
The thirteenth annual Playmakers Summer Shakespeare Program is now open for registration at the Utah Shakespeare Festival. This program is a wonderful opportunity for students to receive one-on-one training from theatre professionals and the Festival’s Education Director Michael Bahr.
The Festival joined last week with others around the world in mourning and paying tribute to L. Tom Perry, a member of the Quorum of the Twelve Apostles of the Church of Jesus Christ of Latter-day Saints and of the Festival’s honorary board of governors.
The Festival received $35,000 for its production of William Shakespeare’s Henry IV Part Two as part of the larger History Cycle initiative from the National Endowment for the Arts.
Larry Bull, who played Bolingbroke in Richard II and Henry IV in Part 1, continues his role as King Henry IV. Sam Ashdown, whom we met in Part I, continues as Prince Hal. We met them both to talk about their thoughts on Part 2 and how their characters have evolved.
It’s been a rainy, cool spring in Cedar City, but our rehearsals are underway and construction for the Beverley Taylor Sorenson Center for the Arts is progressing. All in all, a perfect time to chat with Fred C. Adams, founder of the Festival and director of this year’s The Taming of the Shrew
In 1977, the Adams Memorial Shakespearean Theatre, nestled within the red rocks of southern Utah, launched the Festival into a new era of production and itself would be a character in every performance. The “unworthy scaffold” would become the “wooden O” for the Utah Shakespeare Festival.
In an effort to help students attend the Festival at reduced prices, the Festival has announced the return of the Student Access Pass. This pass can be purchased for a one-time fee, and it gives the student the ability to attend as many Festival plays as he or she wants, at no additional cost.
The Bard’s Birthday Bash, a chance for students to share their theatrical work and enjoy a birthday party for Williams Shakespeare, is scheduled for April 23 and 24 from 9:30 a.m. to 3 p.m. on the grounds surrounding the Adam’s Shakespearean Theatre.
The 23rd annual New American Playwrights Project (NAPP) will take the stage at the Utah Shakespeare Festival from August 7 to August 28. Three plays will be presented as staged readings in the Auditorium Theatre on selected dates.